Four Compositions from the Stuart Davis Group consists of three billboard size prints of photographic details of Stuart Davis' Report From Rockport 1940 and one detail from Mural for Studio B, WNYC, Municipal Broadcasting Company 1939 (both Metropolitan Museum of Art) on which I've painted, working the Davis fragments into a new compositions. The thick acrylic sign-painter's enamel was applied primarily with a house-painter's roller.
WITH-IN (DAVIS) 2008
acrylic sign painter’s enamel on vinyl digital print (stretched)
114 x 190 in
BIG SAMPLE (DAVIS) 2006
acrylic sign painter’s enamel on vinyl digital print (stretched)
112 x 150 in
BIG SAMPLE (DAVIS) 2006
acrylic sign painter’s enamel on vinyl digital print (stretched)
112 x 150 in
SYNC (DAVIS) 2008
acrylic sign painter’s enamel on vinyl digital print (stretched)
114 x 84 in
ROLL (DAVIS) 2008
acrylic sign painter’s enamel on vinyl digital print (stretched)
114 x 152 in
WITH-IN (DAVIS) 2008
acrylic sign painter’s enamel on vinyl digital print (stretched)
114 x 190 in
ROLL (DAVIS) 2008
acrylic sign painter’s enamel on vinyl digital print (stretched)
114 x 90 in
SYNC (DAVIS) 2008
acrylic sign painter’s enamel on vinyl digital print (stretched)
114 x 84 in
BIG SAMPLE (DAVIS) 2006
acrylic sign painter’s enamel on vinyl digital print (stretched)
112 x 150 in
WITH-IN (DAVIS) 2008
acrylic sign painter’s enamel on vinyl digital print (stretched)
114 x 190 in
James Hyde and LaToya Frazier, Artist and Curator of the Mason Gross Galleries